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An unstaged opera about the work of Alberto Giacometti and his vision of the human form—described by Sartre as “halfway between being and nothingness”—The Glade reinterprets the essential themes of his work: fragmentation, absence, objecthood, and his obsession with the uncanny, the inhuman, and the impossibility of truly capturing reality.
Created almost entirely using generative AI tools, the album attempts to draw a parallel between early 20th-century condemnations of Surrealism as degenerate or unreal and contemporary anxieties surrounding AI-generated art.